Spooky edition

 As I'm feeling a bit yukky from my Covid booster, thoughts turn to this weekend as the season of spooky fun comes before us as much as how we did things in the past was a bit different not just for us being more focused on things connected more with All Hallows but for being more private.

In 1974 few of us would of expected to see such huge displays outside each others houses that needed ladders to be put up safely nor would we of had the vast array of them available to buy ready made.

Back then most things would of been hand made from scraps or other repurposed items and events were more about games we'd play, taking turns.

Still in an uncertain and at least over here somewhat chaotic adult world, boy and girls are puching that to one side and having fun and that is the main thing.

Structure: the challenge

 Another week after the last ten days of grown up turbulance and general crazyness as I spin a copy of the HITS 3 compilation with hits from Summer and mid Autumn of 1985 with a few relective bits.

I'm a lively subject hopping sort who could introduce a talk about one thing and divert a couple of times as that interests me more or go to do one thing, start two others and finally do the fourth.

I've always been this way probably with having the combination of autism and adhd, concentration isn't one of my strong points, getting bored and antsy quickly so people mithering about structure are likely to be ignored or reacted against strongly.

Yet it is the case that sometimes at least you need a modicum of it just to see you cover all your needs in the course of a week, such as buying domestic things, responding to communications and seeing people such as doctors.

Running a forum isn't easy for some of us, and with that from time to time we can have struggles with things being posted anywhere or new threads started where they really is little need and just a different entry on a common topic would be better served within an existing thread than another.

That's apart from people who get themselves banned which is rare and try to reinvent themselves with new back stories but their past just seeps out like a leaking jug and the cycle continues.

18 plus and....

Prompted a bit from conversations elsewhere, there are a number things I do feel like talking about this week.

Firstly the tendency in age regression communities to have Do Not Interact (if) limits based on age such as "Do not interact if over 21" or in some instances 18 even which given everybody is being more like a child seems very birth age discriminatory given such groups are strictly safe for work if not "child safe" as your inner child has its vulnerbilities.

The other is the presumption every over 18 is not vulnerable and may be a threat to under 18's when a number of us have in real life diagnosed conditions that do mean we can be taken advantage of when it comes to financial, sexual or other forms of abuse.

It isn't even unknown for some adults to be taken advantage of by what in Law are Minors and yet all too often they are believe from the get go and we struggle to get it into "Plod's" head there frankly is little difference between ourselves and them.

In reality we're only over eighteen on the basis of birth date  and everything else is off.

Audiophile vs Analogphiles

 After last weeks more introspective blog entry I am looking at a different topic this week as the rumbles of a great unmasking in July continue to make themselves heard.

The casual music fan who visits a record stores cannot help but notice the resergence of the vinyl record, specifically the twelve inch "long player" in recent years from when it was almost phased out with perhaps a few bins in a dark corner where a very limited promotional copy of a couple of thousand world wide might reside to where a sizable amount of the store has been devoted to it complete with seperate artist and genres per rack.

For some that's where it ends.

You see a record by your favourite artist, you look the cover over before taking it to the sales desk, hand over your credit card and there it is in a bag to play when you get home.

That's if you haven't ordered it online from Diverse Vinyl, HMV or Amazon in which instance it arrives to your door.

For some there are other things especially when it comes to re-issues of older, "classic" titles such as what source did they use cut the record from, was it the actual assembled stereo mixes mixed down from multitrack session tapes, a copy of them a generation or so removed, a digital copy of that and how does anyone know what they are getting is from a good sounding source?

One thing complicates it some record labels such as Sony seldom if ever now allow the actual tape to leave their own vaults either making a tape copy or sending a digital file to use the team mastering cutting the new version of the record.

This at at the core of dispute in the audio community where generally most people saw themselves as more "Audiophiles" - people who like to hear a recording sound the best it can and spend time setting their own systems to enable that in their homes.

For them the only thing that matters is when comparing them is which sounds the best.

Increasingly a subset of them appear to formed a view that when a recording was made on analogue tape only a tape should be used to cut it even if may be a copy and if it might benefit from some work that can only happen in the digital demain.

They even feel there is no benefit at all in making a record from a digital recording.

No form of preserving through copying produces an exact perfect copy this may be tape or it may be high resolution digital which if even regarded as perfect enough can only store what the playback from the tape produced.

I regard the position of these analog-philes really extreme as really what does matter is which system for each recording delivers the best possible results.